Materials used with paint or mixed media, translates into 2D form as "mark-making." Generally speaking, mark-making is the visual vocabulary an artist uses in an abstract painting. Pretty much anything you can make a mark with paint.Īnd it’s so much fun to experiment and play-even more so then painting in "an ugly style" ( my previous post), here we are focusing solely on just the materials. The super fun part though, is that basically anything and everything you already have in your house is usable-household objects like jars, cans, plastic rollers, to pens, markers, your own fingers etc, can be used. The materials we use and experiment with are crucial to our painting process. If I used sand instead of plaster, that also would also have changed the context of my project. If I had used oil paint for the wallpaper, that would have a different context. The materials of this piece were essential to the project. After visiting the real Pompeii in Italy, I was inspired to create my own wallpaper based on the fresco designs as well as create a video of my hands breaking down plaster pieces to signify the passage of time and cultural significance. Materials inform not only color choices or style, but are also infused with symbolism, cultural significance, context of wealth, power, religious undertones and nods to the ancient past, just to name a few.Īn example of this is my Pompeii mixed media installation I did for one of my classes at graduate school. The technique is also very different (think Raphael verses Monet). Therefore, the choice to pick up charcoal, for example, is vastly different from painting with Utrecht oil paint. Not only do they inform whatever art piece we are working on, they have their own context and own cultural significance just standing on their own. Not a lot focused on the radical materials artists used, which often set him or her apart from other craftsman or artists at that time, and why they did that. I learned a lot in school through art history courses but most of those classes involved a lot of memorizing (which is not one of my strengths) dates, facts, styles, locations and history. In fact, before I identified myself as an artist and "became" an artist, I honestly didn't give much thought about how artists painted. I think many novice artists are naive and think that all professional artists just wake up every day, turn "on" their creative juices and stuff just flows out! If you are following along my blog posts about "How to Jump-start a Practice in Abstract Painting," here is "Tip 2, Materials & Mark-Making." (click here for Tip 1 - Ugly Paintings ). Here is Tip 2 out of 10 for "How to Jump-start Abstract Paintings Practice." I started to think back to my art experience and found that I have 10 tips to help jump start any 2D creative abstract project. Friends often ask me how they might start painting in an abstract way because it feels so intimidating to them.
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